Q&A
Could you start by telling us who you are and what kind of music you make?
I’m an artist from The Hague known as HyperLili. I DJ, produce, and run a label called HYPERWAVES. During ADE, I collaborated with JEANS and his label Oracle Bones, together with my own label, to organize an event at De Fik Garden. My music production sits in the grey area between psy, tribe, jungle, tekno, and trance. Very eclectic and energetic stuff always curated for the dancefloor.
As an artist from The Hague, what unique sound or energy do you bring to ADE?
I think it’s an energetic, no-nonsense sound - spiralling but still in your face and I guess we also bring a different vibe.
How did this booking come about. Did ADE reach out, or was it through your own network?
The Venue asked how I felt to do something with HYPERWAVES during ADE and I contacted Gino if he wanted to join me on this mayhem.
What makes you happiest about being here; the recognition, collaboration, or contribution?
I think the collaboration. It’s just nice to see different people contributing their own energy and skills to one event. Seeing how all those pieces come together and evolve into such a great rave experience for so many people is amazing. It’s really fulfilling to see a crowd appreciate the atmosphere you’ve built and have a great time in it.
Does ADE feel like just another gig, or does it hold a special place for you?
Not per se. To me it feels like a city-night-festival, except the whole industry is invited.
Since its start in 1996, ADE has evolved a lot - what changes stand out to you in the music or industry side?
It’s hard to say what’s really happening, because there’s so much to experience every year. After going to ADE for over 10 years, my own taste has evolved as well. But from my perspective, the music has become less predictable. There’s more room for contrast, eclectic mixing, and different sounds within a single event or line-up, which I really support.
What trends are you noticing right now; in sound, performance style, or audience energy?
Similar thoughts to the previous question to be honest. Though our social media addictions are increasing so no camera policy is really an add to your event nowadays.
What advice would you give to up-and-coming artists who want to be part of ADE?
Since there’s so much to do, to listen to, bring something truly unique to the table. Don’t play it safe - whether you’re playing, curating, or organizing. Put some genuine love into what you do and people will feel it.
How does this year’s ADE experience compare to others you’ve had?
It was different, since I was organizing an event during ADE and was invited to speak on a panel for the first time. So it Felt really like more contributing vibes than before.
As a Dutch artist, how do you see ADE’s role in bridging the national and global electronic music scenes?
ADE hosts the biggest industry (and crowd) gathering in the world. I think it’s a great and easy way to bring together a lot of national and international talent in a short time frame, which helps to spread national talent.
